{"id":160,"date":"2013-03-25T00:24:20","date_gmt":"2013-03-25T00:24:20","guid":{"rendered":"http:\/\/www.demetribonaros.com\/?page_id=160"},"modified":"2013-04-23T23:58:59","modified_gmt":"2013-04-23T23:58:59","slug":"press","status":"publish","type":"page","link":"http:\/\/www.demetribonaros.com\/?page_id=160","title":{"rendered":"Press"},"content":{"rendered":"<h4><i>The Caucasian Chalk Circle<\/i> (Hipgnosis Theatre Co, at Theatres at 45 Bleecker, NY)<\/h4>\n<ul>\n<li>\u201ccommanding performer \u2026 concert-worthy voice.\u201d (Blog Critics Magazine)<\/li>\n<li>\u201cSinger and [\u2026] actor par excellence\u201d (Retrovision Media)<\/li>\n<li>\u201cthe excellent Demetrios Bonaros.\u201d (NYConstage.org)<\/li>\n<li>\u201cThe first strong voice that rings out is that of Bonaros\u201d (Ins&amp;Outs Magazine)<\/li>\n<li>\u201cBonaros\u2019 [\u2026] a cappella music in this production adds a lot of depth and texture [\u2026] The vocal work in this production is some of the finest I have heard in indie theatre.\u201d (NYTheatre.com)<\/li>\n<li>\u201ca lyrical original score by Demetrios Bonaros \u2026 brings out the charm of the play.\u201d (The Indypendent)<\/li>\n<\/ul>\n<h4><i>The Taming of the Shrew (<\/i>Hudson Warehouse)<\/h4>\n<ul>\n<li>\u201cBonaros \u2026 is hilarious as \u2026 Gremio.\u201d (Lincoln Center Theatre\u2019s Andrew Shuttleworth)<\/li>\n<\/ul>\n<h4><i>Opa!<\/i> (Midtown International Theatre Festival, Queens Theatre and Hellenic Cultural Center)<\/h4>\n<ul>\n<li>\u201cBonaros steals the scene.\u201d (Show Business)<\/li>\n<li>\u201c\u2026 best of all is Demetri Bonaros [\u2026] excellent voice [\u2026] great comic effect.\u201d (The Queens Chronicle)<\/li>\n<li>\u201cThe cast members&#8217; (especially Callari, Bonaros, and Goodgold) stunning, powerful voices\u201d (The L Magazine)<\/li>\n<li>\u201cBonaros [\u2026] was a very believable, hysterical priest.\u201d (The National Herald)<\/li>\n<li>\u201cBonaros \u2026 draws continuous laughs\u201d (The Queens Chronicle)<\/li>\n<\/ul>\n<h4><i>The Winter\u2019s Tale<\/i> (Hipgnosis Theatre Co, at Access Theatre, NY)<\/h4>\n<ul>\n<li>\u201cBonaros\u2026 gives a marvelous and multifaceted performance.\u201d (TheatreScene.net)<\/li>\n<\/ul>\n<h4><i>Dinner and Delusion<\/i> (Center for Contemporary Opera, at the Cell Theatre, NY)<\/h4>\n<ul>\n<li>\u201ca company of accomplished singers \u2026 leading man Demetrios Bonaros nicely transits through the stages of life, from yearning boy to demented grandfather\u201d (TotalTheater.com)<\/li>\n<\/ul>\n<h4><i>Measure for Measure<\/i> (Hipgnosis Theatre Co, at Clemente Soto Velez Cultural Center, NY)<\/h4>\n<ul>\n<li>\u201cProviding comic relief [Bonaros performs] hilarious shenanigans\u201d (The Villager)<\/li>\n<li>\u201cBonaros gives an agile and acrobatic performance\u201d (TheatreScene.net)<\/li>\n<\/ul>\n<h4><i>Into the Woods<\/i> (Villanova University)<\/h4>\n<ul>\n<li>\u201cBonaros [\u2026] acts the goofy, hippiesque Mysterious Man with winning style. He is developing a talent for portraying counter-culture types that appears both honest and knowing.\u201d (Main Line Life)<\/li>\n<li>\u201c[Bonaros] sings a stunning duet.\u201d (Philadelphia Arcade)<\/li>\n<\/ul>\n<h4><i>The Taming of the Shrew<\/i> (Compass Rose Theatre Co, Saratoga, NY)<\/h4>\n<ul>\n<li>\u201cBonaros does a hilarious bit with a cane.\u201d (The Daily Gazette)<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>The Caucasian Chalk Circle (Hipgnosis Theatre Co, at Theatres at 45 Bleecker, NY) \u201ccommanding performer \u2026 concert-worthy voice.\u201d (Blog Critics Magazine) \u201cSinger and [\u2026] actor par excellence\u201d (Retrovision Media) \u201cthe excellent Demetrios Bonaros.\u201d (NYConstage.org) \u201cThe first strong voice that rings out is that of Bonaros\u201d (Ins&amp;Outs Magazine) \u201cBonaros\u2019 [\u2026] a cappella music in this production [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-fullwidth.php","meta":{"footnotes":""},"class_list":["post-160","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.demetribonaros.com\/index.php?rest_route=\/wp\/v2\/pages\/160","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.demetribonaros.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.demetribonaros.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.demetribonaros.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.demetribonaros.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=160"}],"version-history":[{"count":10,"href":"http:\/\/www.demetribonaros.com\/index.php?rest_route=\/wp\/v2\/pages\/160\/revisions"}],"predecessor-version":[{"id":357,"href":"http:\/\/www.demetribonaros.com\/index.php?rest_route=\/wp\/v2\/pages\/160\/revisions\/357"}],"wp:attachment":[{"href":"http:\/\/www.demetribonaros.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}